Kafka
(Kafka, la verdad oculta)
(Usa-Francia, 1991) [B/N-Color, 98 m.]
Género: Drama, Ciencia-ficción, Thriller.
IMDb
Ficha técnica.
Dirección: Steven Soderbergh.
Guión: Lem Dobbs.
Fotografía: Walt Lloyd.
Música: Cliff Martinez.
Producción: Harry Benn, Stuart Cornfeld, Mark Johnson, Barry Levinson, Paul Rassam.
Productora: Baltimore Pictures / Pricel / Renn Productions.
Sinopsis: Con referencias al expresionismo alemán y ambientada en Praga, es un thriller cuyo protagonista es el famoso escritor.Praga, 1919. Obsesionado por la desaparición misteriosa de su mejor amigo, Kafka emprende una larga búsqueda que le introduce en un mundo peligroso y enigmático. Sus investigaciones le conducirán hasta los impenetrables muros del castillo que domina la ciudad. (Alpacine)
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Kafka, un hombre que trabaja en una compañía de seguros, se involucra con un misterioso grupo subversivo tras el asesinato de un compañero... Tras su novedosa y aclamada ópera prima "Sexo, mentiras y cintas de video" (Sex, Lies and Videotapes, 1989), Soderbergh se embarca en un inclasificable ejercicio de estilo expresionista sobre el famoso escritor en la Praga de 1919, pero la crítica la recibió con frialdad y obtuvo un estrepitoso fracaso de taquilla. (FILMAFFINITY)
AMG Synopsis: Steve Soderbergh did a 180 degree turnaround from his debut film sex, lies, and videotape with Kafka, a stark art-film fable for literature majors. Jeremy Irons plays a fictional Franz Kafka, living in Prague in 1919. By day, Kafka works in a massive, impersonal insurance company. At night, he spends his time alone writing stories about men who turn into giant cockroaches. Although quiet and solitary, he becomes a suspect in a murder investigation conducted by Inspector Grubach (Armin Mueller-Stahl) when a friend of his turns up dead. Rather than being harassed by Grubach, Kafka decides to investigate his friend's murder on his own. Kafka speaks to his dead friend's girlfriend, Gabriela (Theresa Russell) and talks with gravestone carver Bizzlebek (Jeroen Krabbe). Kafka follows the clues to the Castle, a menacing tower that casts its shadow over the city and houses files on everything. He winds his way through the cellars and tunnels of the Castle, where he encounters the evil and insidious Dr. Murnau (Ian Holm), whom he hopes holds the solution to the murder.
AMG Review: Director Steven Soderbergh's stubbornly oblique second feature so adheres to the conventional wisdom about the sophomore slump that it should be pictured next to a dictionary definition of the term. The then-29-year-old director was clearly struggling to prove that he could tackle headier material than his low-key, character-driven psychodrama debut: With its period setting, Prague locations, black-and-white/color mise-en-scène, and literary-homage pretensions, Kafka is in every way the anti-sex, lies, and videotape. It's also not that good, despite some moments of fleeting brilliance. If Soderbergh seemed very much a fresh cinematic voice with his first feature, Kafka sees him tackling a material and style better-suited to David Cronenberg, Terry Gilliam, or Peter Greenaway. Likewise, Jeremy Irons seems completely adrift as the Kafkaesque everyman who, despite the name Kafka, bears little in common with the writer himself. Bizarre cameos from distinguished actors abound, but Soderbergh doesn't allow much humor to infect his exercise in undergrad-philosophy weird. By trying to take his place among the pantheon of hyper-referential director/film-historians (see also: Peter Bogdanovich, Woody Allen, Martin Scorsese), Soderbergh managed to exile himself from Hollywood completely; Kafka was a commercial and critical failure. Although his next feature, 1993's King of the Hill, would reaffirm his status as a director of genuine warmth and unpretentious skill, it would take until 1998's Out of Sight for the director to convince his detractors that he had lost the chill of Kafka.
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MOVIE.YEAR....: 1991
[b]RELEASE.......: 07/18/02[/b]
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SUBTITLES.....: french--------------------------------------------------------------------------------------------
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۲� ��˛ŰŰ
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